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I just hope they use the more vivid, colorful photography of the poster that was released yesterday.

So it's still possible we get a more event-rich poster for 'SPECTRE'. But don't forget, we'll get more posters. It wasn't the most used poster in the publicity campaign's of cinema's across the globe either. Especially skin-color-wise and looking at his pupils. Now in all honesty, I like this one a lot too. Its only the teaser for QoS and the final posters for SF and SP that fit this theme Gustav is trying to create. That was more interesting though since they were walking through the desert and their clothes had obviously seen some wear. And the QoS final poster has Olga and Craig walking side by side. The final poster for CR had Craig front and center, but had a lot else going on. Yes, I'm not seeing a 'quadrilogy' theme. He IS Bond.and it strengthens my feeling about him being the best Bond since Connery. Slightly slim-fit, but with beautiful 70's collars and a red carnation. And then that won-der-ful white Tom Ford colonial tuxedo. But also his skin looks more.natural and warm. That's mainly caused by the frontal lighting. It is the least photoshopped picture I've seen on a Craig-poster so far. I personally LOVE Craig's pose on the 'SPECTRE'-poster. Similar to what has been done with the upcoming steelbooks.Īlso, this is again a matter of personal taste. What I DO like, is the possibility of using the main titles art as poster art. Such posters would simply feel rather out-of-place in 2015. I just can't imagine Daniel Craig with a jetpack behind his back.or in a wetsuit with 12 Bond-chicks adoring him like he's some kind of God. So I don't understand your 'pastiche argument'. Both posters have been drawn/painted and are equally beautiful. I think it doesn't matter so much if I put the 'Thunderball' or 'Spy' poster on here as an example. I take it you don't have James Bond 50 Years of Movie Posters by Dorling Kindersley in your collection then? Though I will admit it is a tiny improvement over the dreadful SF poster. The only difference with these 'modern' posters and other modern bland posters is that they have DC smack bang in the middle striking a pose in a different coloured tux on a plain background.

I also don't get the logic of the quadrilogy of posters when it's visually obvious CR doesn't sit comfortably within this so-called artistic progression of yours? Actually neither does QoS come to think of it. Just an observation but why did you choose Spy's pastiche poster as an example rather than an authentic Bond poster such as TB, OHMSS, LALD, etc to make your case?

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